Featured in ArtReview’s 15th Shanghai Biennial Review by Mark Rappolt

‘Gözde Mimiko Türkkan offers up 20 hypnotic, slightly crazed red-acrylic paintings of waves (all from 2025) that by turns look like contours on a map, the whorls of a fingerprint, energy waves or earthly strata, and come with titles ranging from Unknowable Waves # 8 (one of several titled similarly) and Feminist Waves, to Waves of oppression and Space debris and celestial bodies surfing the atmospheric waves of our planetary spheres (a vortex of hand-drawn concentric circles). It’s an obsessive body of work that collectively suggests that everything is the same and hovering on the edge of meaningfulness and meaninglessness. It’s a suggestion that echoes throughout the biennial, with a certain amount of bravery, given that it’s one that no museum marketing team would make. Even if the artists here do.’

https://artreview.com/15th-shanghai-biennale-does-the-flower-hear-the-bee-review-mark-rappolt

‘Earth Fight’ featured in article by Ayça Okay for Nftify (TR)

Fuarın en dikkat çeken videoları arasında Mimiko Türkkan’ın Earth Fight başlıklı 4K projeksiyon ile yansıtılan eseri yer alıyor. Türkiye’de yaşayan ve üreten sanatçı Mimiko Türkkan fuara Analix Forever ile katılıyor. Yakın zamanda temsil edildiği Pilot Galeri’de Niyet Dalgaları sergisinde ve 10. Mediations Bienali’nde sergilenen “Earth Fight”, iki yıl önce Ege Bölgesi’nde gerçekleşen yangınların sonucu yok olan koca bir ekosistemin distopik görüntüsüne dikkat çekiyor. Doğal süreçlerin sonucunda ortaya çıkan zararlar, kâr odaklı kararlar, insan hakları ve çevreyi düzeltme çabası ile yapılan aşırı müdahalelerden kaynaklanan zararlar üzerine düşündürüyor ve dünya genelinde iklim acil durumları ilan edildiğinde ortaya çıkan bu tip durumları değerlendiriyor.

https://nftify.com.tr/sembolik-dunya-ve-doga-arasinda-bir-kopru-loop-barcelona-ve-one-cikanlari/

Featured in Barbara Polla’s book ‘Les femmes d’aujourd’hui au regard des artistes’

Barbara Polla ‘Les femmes d’aujourd’hui au regard des artistes’ (Today’s women in the eyes of artists)
Slatkine Editions, 2023, Preface by Maia Mazaurette, Image on the book cover by Shannon Plumb
———
A belated post about how deeply honoured I feel to be part of this book by Barbara published in April this year along with inspiring artists such as Dana Hoey, Eva Magyarosi, Caroline Tschumi, Isabelle Chapuis and many more🌈⚡️
Also featuring a wonderful portrait taken by dear Teri Erbeş 🙏🏽🩵
———
« They are fluid, they inhabit their bodies, they enjoy giving birth, they work, they box, they are erotic and mystical, they invent new couples, they bear witness to the horrors of the world, to this world that they are transforming, they are poetesses and fundamentally ambivalent. They are powerful, transmitters of power and sometimes they have, they are, grace. They create, create themselves and create the future. »
Does the way in which artists represent women today tell us about who we may be tomorrow? This is the hypothesis of Barbara Polla, who has looked at the works and questioned contemporary artists for several years. This book, she says, is written by the artists. And what do these works and artists selected by Barbara Polla, in all subjectivity, say about the women of the 2020s?
Tomorrow, perhaps, we will be free.

Article 'La grâce triomphera' on online art agenda Chat Perché, Mar 2020 (FR)

”La puissance et la grâce” regroupe les travaux de trois photographes talentueux dont les univers iconographiques se croisent lors de cette magnifique exposition collective. Mimiko Türkkan, Guillaumes de Sardes et Dana Hoey nous proposent une vision de la femme non conventionnelle. Ici, elle repousse les limites de la force physique, mais aussi de ses fantasmes. Voici les portraits de femmes libres.
Full article by Carine Bovey here:

La grâce triomphera


 

'La Puissance et la grâce' exhibition featured in Slash online magazine, Mar 2020


Plongée en images au cœur de l’exposition (suspendue pour le moment) La Puissance et la grâce à la galerie Analix Forever de Genève.
La Puissance et la grâce réunit les œuvres des trois photographes Dana Hoey, Guillaume de Sardes et Mimiko Türkkan qui consacrent leur travail aux portraits de femmes à la galerie Analix Forever.
https://slash-paris.com/articles/focus-la-puissance-et-la-grace-galerie-analix-forever-geneve
 

Review by Fabien Ribery in his blog L'intervalle (FR)

PAY HER, ce que le genre fait à l’image, par Mimiko Türkkan, photographe

Qui regarde qui et pourquoi ? qui désire et dévore qui ? quels sont les pouvoirs – de fascination, de déconstruction, de révélation – de l’image ? Dans une série intitulée Pay Her(e), la jeune artiste photographie, entre désir personnel et distance critique, un strip club, les couloirs, les vestiaires, la scène, et surtout le corps des femmes vrillé autour d’une barre de pole dance.

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