GÖZDE MİMİKO TÜRKKAN, PINAR YOLDAŞ
16 FEBRUARY – 23 MARCH
Pilot is pleased to present “Beau Ideal”, a reflection on constructed beauty and a glance at gender politics. Today, having interest in how our bodies appear to our surroundings became a political issue. What we find aesthetically pleasing, cool or tacky is constructed by and also constructs the society. Along with the presence of Butler in the 90s we acknowledged that gender is a social construct. Gender is real only to the extent that it is performed and is a process of self-construction as well as beauty.
Gözde Mimiko Türkkan and Pınar Yoldaş has fresh approaches to the concept of “collective desire”. They delve from variety of angles into labels; skin colors, ethnicities, species, gender norms… Playing with the idea that the colors, forms or behavior of bodies are inherently vested with specific meanings, the exhibition sway in the breeze and they arrive to the station of body politics. Which body is the ideal one, according to who, where and when?
“Beau Ideal” features Türkkan’s photo series “Now You See Me” (2015-ongoing), the re-enactment of amateur looking-porn videos and “cam-girls”. The work expands in the exhibition and artist goes out for a new adventure, a search for the biggest right hand of man of African origin in Istanbul she can find. In this search, she produces a sculpture that determines the criteria like the glass shoe in the Cinderella story. Artist also documents her search and turns it into a video work. As the mediums diversify Türkkan’s investigation of the beauty myth branches. Looking from this perspective, the hand becomes the symbol of a workforce and its exploitation, in our era it becomes an instrument to measure success and define talent, like in the case of sportspeople. All in all, Türkkan’s works suggests a collective desire to be accepted.
Pınar Yoldaş’s “Designer Babies” (2013-ongoing), recently exhibited in the 4th Design Biennial (2018), is returning to Istanbul with new babies via Pilot Gallery. In the scope of her bio-critical feminist approach she also produced a new video. The work can be summarized with Agnes Vardas’ words from Les plages d’Agnès (2008): “The women’s struggle will be collective or it will not be; it’s not just about being free.”. Yoldaş wants to look deeper into the idea of beauty and finds its origins in biological world. Following in the footsteps of feminist philosopher Elizabeth Grosz, who believes that our notion of art and beauty is rooted in the animal world, Yoldaş continues her collages of biological excess with two new pieces focusing on birds and the young animal.
Gözde Mimiko Türkkan and Pınar Yoldaş confronts the mainstream, pre-conceptions and biases in the society. Which hand will fit in? Which baby will be the perfect one?